There is already Katie Couric’s new diary
Morning shows for her It’s always been the crown jewels (and cash cows) of network television, bringing in huge advertising dollars with its mix of high and low from sitting with world leaders and often bizarre culinary segments. Even when the news business was less welcoming to women, the format helped launch the careers of broadcasters such as Barbara Walters, Joan Lunden and Jane Pauley. It can be said, though, that no one has become as successful and synonymous with this genre as Today The Katie Couric Show.
As Couric puts in her revealing new memoir, go thereMorning TV is where you can “comfortably talk to the Senate Majority Leader and the Teletubbies on the same morning.” Her desire to share aspects of her personal life with viewers, from her two screen pregnancies to allowing cameras into her colon after her husband died of cancer, helped her move beyond being just a news anchor: She became the darling of America’s Morning Show in the ’90s. . (And later, the target of the tabloid.) But, in a surprising move at the time, she left the morning television to slip into the CBS Evening News Chair in Periods and later running her own daytime talk show, both less successful projects that she examines self-critically in her memoirs.
The book has already made headlines for its outspoken writing on the media business; Some outlets have highlighted their thoughts on the now disgraceful kanchoor Matt Lauer and former colleague Deborah NorvilleConsidering the notes revengedriven and misogyny. But her memoir is actually an often thoughtful look at the 64-year-old Couric’s decades-long career, addressing the ways in which she – and the women of her generation – felt trapped by the gendered demands of engagement, even as she benefited from being able to meet this the demand.
It was Couric’s relationship With her father – a journalist turned frustrated PR man – she was inspired by her love of journalism. She admits that it was for her that she initially pursued her career, although eventually she became fond of the adrenaline of pursuing stories.
Her first job was in local news in Miami, then a Mecca for crime stories “If he bleeds, she’ll drive,” then transitioned to a reporter in CNN’s early days, where she struggled with the basics of remote projectors. She moved to NBC’s Pentagon coverage after being warned about becoming one of the “nice girls who do acting”.
was in the jump to Today In 1989, Couric began to find her footing as a news anchor and syndicated news presenter. Couric took over as Norville, and also began to learn how to navigate as a public figure and the gendered media coverage that comes with it. In her move, Couric intervened in the controversy surrounding Norville’s replacement Today coanchor Jane Polly. Norville, with her glamorous blonde looks and former beauty pageant-winning face, was seen as the main villain against every woman Paulie was scorned. Whether or not he reacted to the backlash against Norville, Couric developed a non-threatening sensitivity for her role as a broadcaster.
From her short hair (which columnists have dubbed her “challenge doormat”) to a wardrobe of accessible brands like Gap and Ann Taylor, it seems Couric has worked hard to make sure the public engages with her. When she developed her relationship with “cock of the walk” host Bryant Gumble, who respected her background covering the Pentagon, and later Matt Lauer, with whom she developed winning on-screen chemistry, appearing as one of the boys, she joked with them. camera. But while she appears to be somewhat aware of why the company structure is considered the “right” type of woman, it still isn’t clear how she really feels about these standards.
However, she writes sensitively — and with a bit of PSA seriousness — about the way her mother relayed her disordered eating to her and her experience with postpartum depression. Her sense of fine detail, particularly about puffy masculine vanities, never fails to fail, from the bad breath of Les Moonves to Tom Cruise’s super tight black T-shirt and her encounters with men like Neil Simon and Larry King.
Couric also isn’t shy about discussing her personal life, including how her marriage to Jay Monahan – before his death of colon cancer – transformed her into an even bigger household name and star than her husband. She candidly explains how fraught it was between the couple when he left corporate law to provide television commentary for big true crime stories, and seems to be moving into her field.
Couric is also ready to grapple with the ’90s media failures, giving us a sneak peek into the morning’s melodramatic TV Sausage Factory, including moments that I thought went a bit too far. During an interview with the black father and white brother of the victims of the 1999 Columbine shootings, producer Jeff Zucker requested footage of their hands together in what she called an unnecessary exploitative moment. regrets framing the show for the 1992 riots in Los Angeles; Rather than contextualizing the anger of the black protesters, they focused on Reginald Denny, the white truck driver who had been beaten up. She also apologizes for the unfair questions she asked Katie About the bodies of Carmen Carrera and Laverne Cox.
Couric tracks how, with her career trajectory on the rise, public opinion has strained her. By early periods, hers was 65 million dollars; She struggled for guest reservations with Diane Sawyer, lost relevance, was snubbed in the tabloids and considered a “singer”.
She puts her time in CBS Evening News Anchor chair from 2006 to 2011 as a cultural conflict between her and CBS’s “Boys Club,” saying Les Monv brought it up without properly identifying her for power holders. But it doesn’t necessarily contextualize its own course within the broader changing news landscape – for example, that evening news in some ways was Loss of rankings and relevance in the age of the internet. While she had ridden the wave of the morning climax, she arrived at the party too late for the evening news to matter (despite the big moment Sarah Palin revealed lack of experience during the 2008 presidential election). and in daily offer Her perspective wasn’t so specific or new as to mess with the aesthetics of the old-school nightly news format, like standing up from behind a desk and addressing viewers as “everyone.”
Mistaken by The Other, 2012’s Daytime Talk Show Katie, is a case study of how big budgets and market research have propelled her from being, in her own words, a journalist with personality to a television personality. She wrote of that era: “The music, the mood, my face, my voice are all relentlessly playful—watching it now makes me cringe.” And her efforts failed because, once again, her timing was off: she was too early to catch a revival of daytime talk shows led by famous women like Drew Barrymore and Kelly Clarkson, who successfully turned to their famous characters to attract viewers.
Couric appears to have struggled with the internal distinction between “serious” news and the fare of human interest, a gender binary that has lessened its grip on the news scene ever since. She admits that she had lost touch with popular culture by the time she decided to help revive Yahoo News, and that coming from a local news background made her feel alienated from her young colleagues who only appeared online. But now through her newsletter, wake cryand the social media scene, she says she should unite her strengths and interests and be herself again. “Sometimes I’m Katherine, sometimes I’m Katie,” she writes of the push and pull between her hilarious sides and hard news. “Now my job allows me to be both.” Her memoirs strike that balance, too.
Perhaps one of the most anticipated topics she addresses is her relationship with Lauer and how it developed after the fall of #MeToo. Her novel is a compelling dissection of the way powerful men treat women they consider their peers while hiding a predatory side. She included text messages to explain how the group work relationship had quietly collapsed in the wake of the allegations against Lauer.
And while she was wondering why she had never seen that side of him, she had never come across the fact that she had become a powerful white woman in Grid, and had not seen certain things precisely because of her privilege. And while she can now confess to Today The show’s white-centric, melodramatic racist politics, Gumble’s lousy jokes about other women, and the gender politics of Norville’s marginalization, and referring to and invoking these things at the time would have made her seem annoying and affect her career. The memoirs would have been stronger if they had explored the risks around these issues more.
near the end go thereCouric self-consciously regrets that it’s sad not to be a girl anymore. But the insights in her memoirs show how the ways she saw the world – including its limitations – allowed her to hold this position for so many people for so long. ●