Russia’s race to become Russia’s first space shooting country

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Russia’s race to become Russia’s first space shooting country

Six decades after Moscow’s key victory in the Cold War, Soviet cosmopolitan Yuri Gagarin became the first man to orbit the Earth, Russia is once again in a space race with Washington.

This time though, David is a bit shiny.

On October 5, Yulia Perseld, 36, one of Russia’s most famous actresses, explodes the International Space Station (ISS) with 38-year-old film director Kim Shippenko.

Their mission? Shoot the first film into orbit before the Americans do.

If his plan materializes, the Russians will defeat Mission Impossible star Tom Cruise and Hollywood director Doug Lyman, who, along with billionaire Elon Musk’s company NASA and SpaceX, announced their plan. The doers were first.

“I really want to be not only the first but also the best,” he told AFP, hours after the October 5 explosion at the Baikonur Cosmidom in Kazakhstan.

The call – the working title of the Russian project – was announced in September last year, four months after the Hollywood project.

But apart from his great ambitions, little is known about the film.

Who is the doctor

His plot, which is being covered by crew and the Russian space agency, Russian media outlets have revealed that a doctor was immediately sent to the ISS to rescue a doctor. ۔

Nor has the call budget been disclosed. But it’s no secret that space travel is an expensive business: the ISS costs NASA millions of dollars on a single Soyuz rocket seat.

Pointing to the film’s aesthetic direction, a big name on the credit list is Konstantin Ernst, the head of the Kremlin-friendly Channel One television network, more than 60 years old.

Ernest has managed some of the most important moments in Russia’s recent political history and President Vladimir Putin’s career: military parade, opening ceremony, opening ceremony of the 2014 Olympic Games in Sochi.

Dmitry Rogozin, the controversial head of Russia’s Roscosmos space agency, will also be seen playing a role in the country’s theaters.

He is not a prominent figure in the film industry, but is known for presiding over a stagnant and corrupt agency.

Propaganda tool

For Rogozin, 57, the film is a way to project stature as Roscosmos loses in the technological advancement of American rivals.

But it is also part of a geopolitical war in which the country is engaged with Washington, according to a recent interview with a Moscow dissertation.

“Cinema has long been a powerful propaganda tool,” he told the popular daily Komsomolskaya Pravda in June.

His assessment of the film’s role comes at a time when relations between Moscow and Washington have reached a point similar to the Cold War conflict.

Rogozin said in an interview that Cruz and Lehmann had initially approached Roscosmos in early 2020 to cooperate in the film.

But, he said, unknown “political forces” pressured him to abandon the idea of ​​working with the Russians.

“I later realized that space is big politics,” he told the paper. “It simply came to our notice then.

Cruz’s representatives did not respond to AFP’s requests for comment.

Not a superhero

In preparation for this 21st century space race, Percyld has been undergoing intensive training at the Yuri Gagarin Cosmonaut Training Center in Star City, outside Moscow, since late May.

By the time she spoke to AFP, she had already arranged for a centrifuge and was training how to survive in a hostile environment when it crashed to the ground in a Soyuz capsule on October 17.

Still, he is focused on the task at hand.

The ISS short film set will be a challenging place to work, especially for the director, who will also handle the camera, lighting, sound and make-up.

“We have to make a film in space that is not possible to shoot on Earth,” she says.

“Unlike many other Soviet children who grew up in the foothills of the Guggenheim, they never dreamed of going into space,” Pearsild said.

She admits to being “scared” when she was selected for the job from a pool of 3,000 candidates.

“I’m not a superhero,” he told AFP.

He said he was inspired by the children at his Galchonok Foundation, which helps young people with disabilities.

“For them, picking up a spoon is like going into space.”

They must “believe in the impossible.”

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