Portrait of the ‘corgi-like’ Queen for display in Lucian Freud’s exhibition | Lucian Freud

The Guardian has praised him as a Best Royal Portrait of 150 Years. Others believe he made the Queen look like a rugby prop forward or one of her dogs.

More than two decades since it was revealed to a storm of praise and derision, Lucian Freud’s portrait of Queen Elizabeth II will have people talking again when it appears in a photo. National Gallery next year’s exhibition.

The exhibition on Thursday revealed details of what it said will be a 2022 historical exhibition to celebrate the centenary of Freud’s birth.

The show will bring together his most important works from a career spanning seven decades. The gallery said the goal was to “offer new perspectives on Freud’s art, emphasizing his tireless and enduring commitment to the field of painting”.

Freud personally handed his portrait to the Queen. according to The second and final size From William Pfeiffer’s biography of Freud, published last year, the Queen did not say what she thought of her but seemed very happy. “It was very nice of you to do this,” she said to Freud, “I have enjoyed so much watching you mix your colours.”

The reaction of the press was not very cautious. One critic thinks it It looked like a prop forward Six o’clock shadow on her chin.

The headline of the sun’s front page was: “It’s a farce, Your Majesty.” She sought a reaction from Robin Simon, editor of the British Art Journal, who said: “This makes her look like one of her dogs has had a stroke. It’s a huge mistake for her.” Lucian Freud. He’s gone too far.”

There was a similar reaction in other sections of the press, but not everywhere. Adrian Searle of The Guardian compared it to the mask of a Richard Nixon joke, or perhaps the “half” before of “before and after testimony.” But he also loved her.

“This is the only painted portrait of the Queen, or any other member of the current royal family, of any artistic or human merit whatsoever,” he wrote. “Probably the best royal portrait of any property anywhere in at least 150 years.”

The Queen is on loan from the Royal Collection of National Gallery Exhibition. It will be one of more than 60 loans from museums and private collections around the world for an exhibition looking at how Freud’s practices have changed over the decades.

Freud curator, Daniel F. Hermann, of died in 2011, He had a “steadfast eye and relentless commitment” to his work, creating graphic masterpieces that have continued to inspire contemporary artists.

His practice was often overshadowed by biography and fame, Hermann said. “In this exhibition, we offer new perspectives on the artist’s work by looking closely at Freud’s mastery of painting itself and the contexts in which it developed.”

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