No time to die: Safin’s plan needs a bluefield.
Warning: Big spoilers ahead. There is no time to die.
Several key elements of Safin’s plan. There is no time to die. The last big Bond villain would be meaningless without the presence of Ernest Stevero Bluefield. Although Bluefield is prominent in the narrative, it is clear that he is playing the second fiddle with Rami Malik’s Leutisfer Safin. However, as a result of this low role, the film suffers overall damage and, ultimately, raises serious questions about the usefulness of Safin’s perceived master plan.
After capturing the center stage of 2015. Spectator, There is no time to die. A British prisoner sees a lot of bluefields behind the scenes. Although he is still working in a criminal organization, courtesy of his computerized eye colleagues, his imprisonment has diminished his power and influence. This becomes clear when an attempt to use stolen nanobots to kill James Bond at the Specter Party inadvertently leads to the death of the entire Specter leadership. It later became clear that Safin was behind the mix-up as part of his plan to exact revenge on Specter for the deaths of his family members. Eventually, Safin successfully kills Bluefield through James Bond, when Madeleine Swann infects him with nanobots that match Bluefield’s DNA.
After carrying out his controversial plot to assassinate Bluefield, Safin focuses on finding a buyer for his stolen nanobot technology. This leads to further conflict with Bond, who acknowledges the potentially devastating effects of the so-called Heracles project. However, while programmable nanobots with which they come in contact in seconds are undoubtedly terrifying, on closer inspection, the argument for Safin’s supposed masterplan does not stand. Not only is it not clear why he hopes to eliminate so many people, but also why he once successfully kills the head of Specter. Here’s why, after all, Safin’s plan is involved. There is no time to die. Bluefield is needed to stand for inspection.
Initially, Safin outlined a plot to kill Specter in retaliation. However, avenging your family’s deaths is probably a great reason to look for technology that will end the world. However, not only does continuing the project have a little bit of an emotional feel to it after achieving its first goal, but the coordination of the whole project breaks down quickly even after minimal testing.
For example, it is highly unlikely that a person like Safin, regardless of his or her resources or influence, will be able to access the tools of a global criminal enterprise such as Specter. However, during the early Craig-era story arc, Specter was responsible for pulling strings behind everyone from Lee Schaefer to Raلl Silva – highlighting the limits of his power. The idea that a hitherto unknown villain with a mysterious background could persuade a single scientist to change sides could defeat an entire organization is unlikely.
Even more unusual is the fact that Bluefield and Specter, despite the clear and current threat they pose, appear largely unaware of Safin’s true motives. Despite working as a killer for Specter, Safin’s revenge plan surprises everyone. The idea that such a person would be able to work in the criminal underworld would accumulate resources to base his poison, without Specter discovering his true plan and the potential danger that would plague the entire operation. Seems to increase overconfidence.
Given the fact that Safin is a newcomer to both franchises and apparently lacks strong motivation after completing his revenge mission, it seems that he is more of a supporting hen rather than a central villain. It must have worked effectively. For example, the idea of Specter’s Chief Poison on James Bond’s trail at the behest of Detective Belfield could help the audience ignore the obvious issues that arose during the film’s second and third performances. He would have kept Safin as an iconic spectator association with the likes of Jaws, Odd Job and Red Grant, instead of being bothered by the undue burden of carrying the entire film.
As it is, the film begins to vaguely fall flat when Specter’s shadow, which was previously highly praised in the Daniel Craig Bond era, disappears completely from the scene. Although Safin’s desire for revenge casts an interesting shadow over his character, his initial success actually undermines the foundation laid for the organization through previous films. As a result, turning Safin into a chicken would be an effective way to do this. There is no time to die. Highlighting the threat posed by the specter, rather than being reduced to a side show easily eliminated by a single defective scientist.
In contrast, an alternative plot with a bluefield real mastermind behind the nanoboat plot would not only improve Safin’s character, but would be a much more compelling way to close the arc of the entire Craig-era story. Given the conflict between the two characters in previous films, There is no time to die. Could have provided more space to find this great relationship. It’s easy to imagine, for example, an alternative story in which Bluefield – with the help of Safin – seeks revenge on James Bond from prison, perhaps with similarly tragic consequences. It will be based on the current emotional tension with the rest of the story, rather than kicking off a new villain and starting all over again.
Keeping Safin as a secondary villain also allows the film to continue the trend that Daniel Craig’s Bond films have praised – namely violating conventions and pushing boundaries. Throughout the Bond era, chickens have generally been two-dimensional caricatures, which, despite their salient features, lack proper development. Having an actor like Malik in the role would allow the film to do some really radical work with its supporting body, which would give it its own charming impetus. Putting it in the heart of the action without a truly compelling story behind its actions ultimately does not satisfy anyone and represents a serious mistake for it. There is no time to die..
One way the film could involve both Safin and Bluefield would be to change Safin’s allegiances. It is not incomprehensible, for example, that in a world where Bluefield is behind bars, a power struggle can begin at the top of the organization. In an attempt to control the group, Bluefield could recruit Safin to kill his rivals.
Ironically, this view may also be linked to Safin’s revenge plot. Given Bluefield’s age, it is highly unlikely that he would have been in charge of Specter when Safin’s family was killed at the group’s request. However, other high-ranking members of the organization may have had a hand in the assassination, which gave Safin a compelling reason to join Bluefield. In this world, Safin could operate from the outside as an independent poison specialist while holding the reins of power in Bluefield Prison. This will help to solve one of the main problems. There is no time to die. Providing two villains with competitive and equally compelling stimuli, while giving one villain an icon like a blue field.
There is no doubt that aspects of the film provide the perfect swansong for Daniel Craig’s time as James Bond. However, for all the exciting on-screen action, including Bond’s heartbreaking final sacrifice, it is undeniable that Bond’s opponents often fail to keep the rest of the film alive. With a few adaptations to the story, it’s easy to see how this problem could have been avoided. As it is, There is no time to die. Represents a missed opportunity دونوں both for Rami Malik’s Sphinx and the re-imagined Ernst Stavro Bluefield.