By nearly all accounts, the ongoing recovery of the COVID-19 pandemic in Philadelphia has fallen short compared to other major cities. Its largest commercial district, downtown, is starting to recover, but has yet to recover 100% of pedestrian traffic since the pandemic began in early 2020. The lack of foot traffic in the city has affected businesses, some of which have affected businesses. on business. Forced to close permanently, altering the downtown landscape for residents returning to the commercial district to shop and eat.
Despite this, Philadelphia’s arts sector has seen massive effects from the pandemic, with many theaters and other live venues beginning to reopen after nearly two years of delay and uncertainty surrounding the pandemic and the city’s response.
In response to this phenomenon in Philadelphia and across the country, the National Endowment for the Arts has been set up to distribute over $1.4 million for 14 arts organizations All over the city. With prizes ranging from $50,000 to $150,000, organizations that receive funding will directly use the American Rescue Plan funding to increase staffing, pay for facilities and events, provide for increased health and safety measures, and promote a return to the arts scene in Philadelphia throughout 2022.
“Our nation’s arts sector has been among the hardest hit by the COVID-19 pandemic. Funding for the US Rescue Plan for the National Endowment for the Arts will help rebuild and reopen art organizations,” Maria Rosario Jackson said:, head of the NEA. “The arts are essential to helping America’s communities recover, unite, and inspire as well as essential to our nation’s economic recovery.”
The Philadelphia Dance Company, PHILADANCO! , is among those to receive the largest award from the NEA. Prior to receiving recovery-centric funding, PHILADANCO’s latest production, “Continuum,” received additional funding from the NEA on January 25 to expand its production in Fall 2022 at the Kimmel Cultural Center.
“PHILADANCO! in Philadelphia is among the arts organizations nationwide that continue to use the arts as a source of strength, a pathway to well-being, and provide access and opportunity for people to connect and find joy through the arts,” Ann Eilers said, Acting chair at NEA.
Other organizations that have received $150,000 in funding for recovery efforts include the Asian Arts Initiative, the Philadelphia Orchestra, ArtistYear, and BlackStar.
Philadelphia Attorneys for the Arts is only one of five organizations to receive $100,000 in funding through the NEA. The organization, which morphed into a nonprofit during the pandemic, offers free legal services to artists. The group has seen an increase in demand for legal services since making the switch, and says the funding can help expand its services to Philadelphia.
“This critical NEA funding comes at a time when the PVLA as an organization is going through a period of transformation,” Ken Metzner said, CEO of PVLA. “We seek to enhance our core program of matching volunteer lawyers with underserved artists and art organizations while reimagining new services and programs to advance the welfare and sustainability of visionary artists in our community.”
In particular, the PVLA will be able to hire part-time employees to increase contacts with clients, pay rent and consider improvements to the organization’s overall model, allowing them to provide legal services and assistance more quickly to people who need them.
Other organizations receiving $100,000 in funding through the National Endowment for the Arts include Azuka Theater Collective, Black Pearl Chamber Orchestra, Mural Arts Philadelphia, and PlayPenn.
Painted Bride Art Center is among those receiving $50,000 in funding, as it continues to transform into a citywide art organization. While the organizers remain steadfast as Painted Bride continues to host and hold special events, the focus is on working with artists – particularly those within marginalized communities – to foster a sense of belonging and support artists as they grow and change.
The organization has been trying to make a transformation for several years now, announcing plans to close its doors on its Old Town site, covered in a mural painted by Isaiah Zaghar, whose work has been prominently featured throughout the city, particularly in the Magical Gardens in the south. St.
The sale of the property involved some legal bumps in the road, including concerns about the future of the mural, and for now, Painted Bride still operates out of the building. I mentioned the inquirer In August, a developer agreed to maintain a mural for a new apartment building to be built on the site.
CEO Laurel Rachka he said why The organization is enthusiastic about the funding, and plans to use it to hire staff, particularly to increase communications and expand its programmes. “Painted Bride” is set ever resistance garden In March, a project explores the intersections of nature, food politics, and the historical use of plants, according to its website.
Other organizations that have received funding through the NEA include Shakespeare in Clark Park, COSACOSA Art at Large, and InterAct Theater Company.