Anderson East Wonders About Life And Loss We May Never Die

Some inspiration for Anderson Eastlatest full version, We may never dieFrom an unlikely place: inside the sensory deprivation room. The Alabama-born singer says he gave rehearsals a chance after learning about it from his probation engineer.

“It was a drastic experience,” he says. “Being in that environment is something I would definitely recommend.”

Sensory deprivation involves lying in a tank of shallow salt water that, like ambient air, is set to the same temperature as your body. It is dark and quiet, as the name suggests, and a session lasts about ninety minutes. East, who is currently based in Nashville, says he’ll probably make sharing a regular.

“After what seems like an eternity has passed, you kind of lose your connection with your body and swim in your thoughts,” he explains. “It was very wild. … gives you a good opportunity to analyze everything.”

East says his mind went to his grandmother who recently passed away after a struggle with Alzheimer’s disease. They were close, and he had recently wrestled with an idea of ​​what a person would be like at the end of their life if their brain deteriorated. The album’s title track came together as a result of that reversal.

“Once the song was recorded, I felt, based on all this theme, that that song was a good lyrical and musical way to sum up the whole project,” he says. “This is a kind of [what] log out of .


Although many subjects run through the twelve paths We may never dieAnd East wouldn’t describe it as a concept album.

“All songs are at least treated with a similar mindset and some similar themes,” he explains. “There are so many similar feelings. …Love is an emotion going through it all, even if there is a little indifference.” For example, he notes, “I Hate You” is a love song at its core, despite its title . And “Hood of My Car” is about nostalgia for love, but they both come close to the same heart.

Phonetically, the album carries a strong hip-hop energy of the new spirit of the ’90s that resonated with Al Sharq and his bandmates at the time it was produced.

East wrote about half of the album before COVID hit, and the rest during the pandemic. He says it was a challenge because he loves to work with a group of people in a room, and composing via Zoom doesn’t suit him as an artist. (He and his collaborators were able to spend time in a Gatlinburg, Tennessee, cabin to finish the songs this year.)

“Most of them were working in these isolated scenarios and then trying to modify humanity in them,” he recalls. “It couldn’t be about people, so it was definitely a different production process.”

East says five albums in – or three, because he considers his first two self-released albums to be “training flips” – he doesn’t focus much on his progress as an artist. He is just happy to be here.

“That creativity that comes from a few people—I just hope I’m in the right place at the right time when that breeze hits me,” he says. “I am very fortunate to have had the opportunity to sing for a living. I hope people will surely like it.”

I just spent a few weeks on a tour that will run into February and hit a large swath of the United States. Aside from the bus that broke down near San Francisco, things seemed to be going well. East was playing a mix of new and old songs, and getting them all to sway together in a live environment was a fun task, he reported. He’s been upset seeing live shows dry up during the pandemic, so he’s happy to be on the road and play with a full band.

“It was great to remember how lucky I was,” he says. “Before that, we were doing 150 to 200 performances a year. To get past something you have no control over – the level of appreciation is at an all-time high.”

Anderson East will be in gothic theater, 3263 South Broadway in Englewood, Friday, November 5, with Bendigo Fletcher; Find tickets in axs.com. We may never die Now available on most streaming platforms.

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